Arundhati Roy is a novelist, writer and political activist. Roy’s engagement with Kashmir in particular, including her explicit support for Kashmiri separatism, for example, led to her being accused of sedition in 2010. Perhaps that’s because no writer today, in India or anywhere in the world, writes with the kind of beautiful, piercing prose in defense of the wretched of the earth that Roy does. Haven't deleted Arundhati tweet; Twitter wanted it removed: Paresh Rawal. Arundhati Roy has a tendency to rile India’s media and political elites like no one else on the subcontinent. • The Ministry of Utmost Happiness by Arundhati Roy is published by Hamish Hamilton (£18.99). She calls out what she sees as the absurdity of a “doctrine of One Nation, One Language, One Religion, One Constitution” being imposed on a region that is “not a country”, but rather a “continent” – “more complex and diverse, with more languages – 780 at last count, excluding dialects… than all of Europe”. All rights reserved. That's why we need it, Amid arrests and killings, Bangladesh and India must fight censorship, An exclusive extract from Arundhati Roy’s The Ministry Of Utmost Happiness, Edward Snowden meets Arundhati Roy and John Cusack: ‘He was small and lithe, like a house cat’, I am returning my award because I’m ashamed of what’s happening in India, International bill of digital rights: call from 500 writers around the world, Afzal Guru's hanging has created a dangerously radioactive political fallout, The hanging of Afzal Guru is a stain on India's democracy, There's no escape from the corporations that run India, Video: Arundhati Roy reads from her essay on Maoists in India. A Kashmiri woman asks a police officer to let her cross a street. 1,028 talking about this. “Arundhati Roy calls for ‘factual precision’ alongside of the ‘real precision of poetry.’ Remarkably, she combines those achievements to a degree that few can hope to approach.” —Noam Chomsky, leading public intellectual and author of Hopes and Prospects “India’s most impassioned critic of globalization and American influence.” Her novel The God of Small Things won the Booker Prize in 1997, In a petition to the United Nations, a group of authors agree that democratic rights must apply in virtual as in real space, Arundhati Roy: Domestic mega-corporations' tentacles extend into every aspect of Indian life – but no one dares speak out against them, Arundhati Roy: People the world over salute the Occupy movement for standing up to injustice and fighting for equality at the heart of empire, Arundhati Roy: Kashmir is one of two war zones in India from which no news must come. Hope lies in texts that can accommodate and keep alive our intricacy, our complexity, and our density against the onslaught of the terrifying, sweeping simplifications of fascism.” What she has produced, in Azadi, is precisely such a text – the outcome of a life of writing from the frontline of solidarity and humanism, and from a writer who is perhaps only now reaching the height of her literary powers. De God van kleine dingen. Arundhati Roy’s literary career has been one of a kind. The passion and beauty of her voice is unabated, but what comes through in this volume, too, is a new sense of maturity in both her execution and engagement as she comes to terms with her vocation and the choices she has made. She lives in … In Intimations of an Ending: The Rise and Rise of the Hindu Nation, for example, she reads the growing popularity of Hindutva, its strategies of warmongering and scapegoating and the autocratic style with which Modi governs as, very plainly, a kind of fascism, a kind of “tin-pot authoritarianism” that resembles, according to her, the dysfunction of Nazi Germany. Modi's brutal treatment of Kashmir exposes his tactics – and their flaws, Arundhati Roy extract: 'The backlash came in police cases, court appearances and even jail', Literature provides shelter. “I have often caught myself wondering,” she writes in The Graveyard Talks Back, “if I were to be incarcerated or driven underground, would it liberate my writing? 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