However, the cover art is great. It’s obvious that the band was, due to important line-up changes and a general shift in their musical ideal, in a rather confusing period of transition. Imagine taking a Bathory album, combining it with an artificial version of Trans Siberian Orchestra, and slapping it with a coat of Napalm Death-this album is the result. An atmosphere leaning towards the operatic is notable, with an effect that sounds like Dimmu Borgir is playing in a massive hall, with empty echoes and subtle symphonics. Despite its long time and constant need for chaotic variances, it can arguably be considered a classic. Yes it's over polished and over produced, but who cares. Comparatively speaking, there are many worse albums on the market. Puritanical Euphoric Misanthropia Dimmu Borgir. ‘Puritanical Euphoric Misanthropia’ opens with fantastic strings in the haunting ‘Fear and Wonder’, which sets the tone perfectly. Check. It is a continuous chase between the band and the listener, that after a while becomes overwhelming. There is also enough variety present to make this an enthralling album, with many tremolo sections and fast interludes. “Kings of the Carnival Creation” is another insane creation from the once black metal minds of Dimmu Borgir. First of all, there’s Puritania: a short song with massive industrial elements throughout; this is basically loud, epic drumming and simplistic vocal arrangements. Roachpowder Atomic Church (2001) 181: 181. ... Puritanical Euphoric Misanthropia by Ralf Spiritual Black Dimensions by Patrick Stormblåst by Mathieu Stormblåst 2005 by Milan The bass is too quite but has a few moments. 2001, CD, Nuclear Blast (Limited edition, Boxed set, Deluxe edition). It's not that all the songs necessarily sound the same (some of them do), but rather the entire album has a certain feel and sound to it that it never breaks away from. Everything is well thought through, and the musicians are at almost full potential. In fact, unlike this album, boobs are always a good deal. Then, luckily, some of the most powerful and kickass riffs of the album come in, but, after a while, this shit repeats again, this time even more insistent than before. This is one of those rare intros which lead the listener to expect something extraordinary after it, building one’s hopes up for the entire album. Sadly, since Shagrath lost his fellow backing vocalist Nagash, it becomes more noticeable that his voice is beginning to deteriorate. Puritanical Euphoric Misanthropia ... and then transfornming into the instrumental track perfection or vanity.The cover of the twisted sister song "burn in hell" is a brilliant version of this song and deserves a "hats off" for doing it. The drum work is probably the best of his career, it's absolutely top notch. Starting with a pure symphonic intro, the album carries on with four technical and highly keyboard/orchestra-dependent black metal numbers before reaching the mish-mash of different song styles, announced by the industrial-themed Puritania. I wonder why Dimmu Borgir makes albums. Architecture of a Genocidal Nature seemed to me more of an epic failed attempt at symphonic metal. The orchestral arrangements (here played by a real orchestra instead of keyboards) are interesting and add color to the songs without dominating them. Se äänitettiin Göteborgissa Ruotsissa syksyllä 2000 ja julkaistiin seuraavana vuonna.. Levyn päättävä bonuskappale "Burn In Hell" on cover-versio Twisted Sisterin … It opens with an interesting instrumental, Fear and Wonder, performed by an actual orchestra. is the epitome of this annoying formula. $29.99. Then, the drums come in and blow everything away. And you know whats really annoying, Dimmu kicks this to us the listeners as if telling us.."Here you are..sort yourselves out!". They need a comeback release and that one I was to be sure to rid myself of it. One thing that can be said about Dimmu Borgir is they have their musicianship in order. Details about RARE 1958 LP PROMO SAMPLER w /Teasingly Tasty & Shapely CHEESECAKE COVER MODEL! The last track is another instrumental, "Perfection and Vanity", that while very good is not up to par with "Fear and Wonder". Once again I find myself in the position to congratulate Dimmu for creating a masterpiece, sadly this might be the last time. Puritania is track 5, I'd recommend scratching it out. Luckily, at 4:03 the song's real epicness begins. Yay! This song is speed... and just that. "The Maelstrom Mephisto" Opens with a killer little drum solo by Nick, this song is pretty brutal all the way through, more of Vortex's killer clean vocals here as well, not much else to say. The individual songs themselves are not really bad (all of them, especially "The Maelstrom Mephisto", are decent songs), but they all sound so similar that it becomes mind-numbing after the second song. Once the solo ends, the band repeats some riffs from the first half of the song until they reach a small break. In any case, live CD's beat the crap out of both old and new studio albums when it comes to sounding good. Shagrath needs no introduction as his vocals have become very recognisable in Dimmu Borgir’s new era. Nick Barker is certainly a metal legend today, and this is for a good reason. On this album, drums are played by... Nicholas Barker. The shorter industrial experiment Puritania comes across as a bit of an experiment, not fully successful I have to say. I can handle their image for the most part. The two singers put in an excellent performance, I am a huge fan of ICS Vortex and here he reaches the levels he had touched in Arcturus' La Masquerade Infernale. The sound change was more in the vein of EDT, with increased emphasis on the speed and aggression, in the detriment of harmony and to a lesser extent, of the melodic department. A constant barrage of screeching is sure to give the listener a piercing headache. Its configuration ensures a lively number, flattening guitars alternate with howling keyboards and I wish I could write such a piece of music, although the kitschy vocals at 4:32 minutes are too much of a good thing. Maybe a little too much overproducing is what gave this album such a hard time finding its place in the black metal community. "Architecture of a Genocidal Nature", simply put, is boring as hell. Long live the legends. I remember when this first came out, I wasn't really a fan of black metal at all. The music? 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