50min | Western | 17 October 1915 (USA) Jim Houston, the "Shootin' Iron" Parson, comes to Barren Gulch to reform the morals of the frontier community. Doing his own editing, Tamhane juggles the time frame to age his hero as the years go by. Often, he performs with his teacher and guru (Dravid), a white-haired vocalist of sublime gifts who is getting on in years. The film provides a harsh but necessary critique about the legend of the art form. Narendra Pachkhédé is a critic and writer who splits his time between Toronto, London and Geneva. The film’s bow in Venice competition before it heads to Toronto and New York should assure it of a wide swathe of international audiences. Like a true disciple, Sharad makes Guru tea, bathes him, massages his legs and uses the little money he makes at a recording studio to help him pay his debts. Production companies: Zoo Entertainment He hails from a legendary family of cinematographers in Poland who were associated with the works of Krzysztof Kieslowski and Andrzej Wajda. We see Sharad’s mundane and routine actions, such as flipping television channels or staring blank at the amateur musical contests, juxtaposed with the soberness of his promised path. "It is a love story and I don''t get to play things like that. The Disciple is a sublime coming-of-age study of an artist's prolonged pursuit for music. His counterpart is his music teacher, Guruji, essayed by Arun Dravid, a veteran musician and a disciple of Kishori Amonkar. Aditya Modak, a trained Hindustani classical singer, captures the essence of the character Sharad Nerulakar, the disciple, a tremulous soul caught in the bind of modernity and tradition. The Disciple. The story of Catholic iconoclast Michael Pfleger who made it his mission to transform the drug ravaged south side Chicago community surrounding his parish. The Disciple echoes its rigor and determination in exploring the struggles of an aspiring young singer, albeit at its own slow and thorough pace. 'The Disciple' looks at the world of classical musicians, the movie follows the story of Sharad Nerulka, who has devoted his life to becoming an Indian classical music vocalist, diligently following the traditions and discipline of old masters, his guru, and his father. May 19, 2012 • Story selection and rights acquired; idea being crafted into usable script; financing and casting attachments sought; aiming for 'greenlight'. Gomber, whose producing credits include internationally acclaimed films "Court" and "The Disciple", asks rhetorically. | Do Not Sell My Personal Information DP Michal Sobocinski shoots the concerts and most of the action in austere head-on, long-held shots and in quiet colors that look as natural and unfiltered as possible. Executive producer: Alfonso Cuaron The Disciple characters Aditya Modak as Sharad . It unravels the tale of a Sharad Nerulakar, a vocalist who wants to experience the promise of musical transcendence, but is grappling with his existential woes. The portrayal of his riyaaz is not pegged as pure schmaltz but an engagement with life as he fights the pornography of desires on his way to find his true self. by Photo: Chien-Chi Chang/Magnum Photos; Courtesy: Rolex Mentor and Protege Arts Initiative. I caught up with the screening of The Disciple at TIFF, where Mumbai-based filmmaker Tamhane’s work was the sole selection from India. Even the noisy heat and chaos of Mumbai is stilled in shots of Sharad riding his motorbike around an almost deserted city, lost in his thoughts. Not as compulsively watchable as its predecessor, the story suffers mainly from the unfamiliarity (in the West) of Indian classical music, which is likely to somewhat cool its appeal for non-Indian audiences. The Disciple makes a nuanced distinction between subject and the story; the film is not on Indian classical music per se, but rather the visceral world that the disciple occupies. Chaitanya Tamhane’s The Disciple, which became the first Indian movie to land a Venice Film Festival competition slot since 2001’s Golden Lion … No matter how long and hard he practices, he seems terribly far behind his master, and much of the film’s suspense is seeing whether he will ever catch up. The Disciple is a mirror to Indian classical music’s struggle to retain its traditions in a changing India, told through Nerulkar’s coming-of-age story. As film theorist André Bazin argued, long takes offer a notion of continuity, thus ‘attributing certain duration to the concept of time’. This film will mark a definite moment in the evolution of Tamhane’s visual style. Chaitanya Tamhane’s new film is a big step towards developing his own visual style and storytelling. Having accomplished singers to act is not only a challenge but a casting coup of sorts. Producer: Vivek Gomber While, silence as the leitmotif breathes life into the language of Khayal, building the ambience of the cultural milieu of extreme reverence and submission, as it eloquently brings forth the tenebrific tone of the film. The Disciple, which won Best Screenplay as well as the Fipresci critics’ prize at the 2020 Venice Film Festival, is the new film from writer-director Chaitanya Tamhane. The Disciple by Oscar Wilde. The film explores issues of racism, the power of the media, and the tension between Pfleger's 'gospel of the streets' versus traditional Church theology. It is in this delicate handling that Tamhane deploys a masterful screenplay to stirring effect. | EU Privacy Preferences. The Disciple tells the story of a Indian classical vocalist who wants to perfect his skills after hearing past stories from his father and his music guru, about the legends in their field. The Disciple has not yet been released in India. The transitions from present to past at specific moments were beautifully conveyed to us by the director Chaitanya Tamhane. EMAIL ME. The Disciple Program movie is currently in Development . He receives the support of "Birdshot" Bivens, the sheriff of the county. Posted: (3 days ago) Peter's life story is told in the four canonical gospels, the Acts of the Apostles, New Testament letters, the non-canonical Gospel of the Hebrews and other Early Church accounts of his life and death. In the development of his cinematic syntax, one can see his work in the mould of the Greek master Theo Angelopoulos. Cuarón recommending Michal Sobocinski as the cinematographer proves how valuable his role has been in this mentoring process. The same age as Tamhane, Sobocinski is no ordinary cinematographer. Although as an actor Modak has a range of expression that hovers around worried or irritated, there is often a look of deep belief in his eyes, and you can feel his musical understanding is authentic. In the denouement, the disciple succumbs to the pressures of modernity. The Disciple tells the story of a man who devotes his life to becoming an Indian classical vocalist. In Marathi, Hindi, English and Bengali. World sales: New Europe Film Sales (North America: Endeavor Content) In the New Testament, he is among the first of the disciples called during Jesus' ministry. After a two-year writing process, the screenplay emerged out of the earlier play which Tamhane wrote, The Grey Elephants in Denmark (2008). The movie received rave reviews from the critics at the carnival. In a year that’s been low-key for movies due to the coronavirus pandemic and related curbs, The Disciple is the only Indian selection at the Toronto International Film Festival (TIFF) in Canada. 128 minutes November 23, 2020 zyllahsblog Uncategorized 0. Aneesh Pradhan retains the musicality as the intricacies of the Khayal performed is attuned to the laya (rhythm) of the film. Watching The Disciple was such a soothing experience. The story set in 2006 is about Sharad a 24-year-old aspiring singer, who is preparing for a “Young Performer” competition as a Khayal vocalist. FACEBOOK Mary Grant designed the film's costumes. | California Privacy Rights But it is in his moments of weakness and disgust with the ever-degrading musical standards around him that he makes contact with the character. In so doing, Father Mike has run directly into conflict with the local Catholic hierarchy. I hope unlike his protagonist, Tamhane retains his rigour and practice in sustaining the depth of being an artist in a metropolis. His writing envelopes the viewer into the quotidian experiences of Hindustani sangeet of the Marathi milieu in Mumbai. Chaitanya Tamhane's masterfully composed second feature examines a lifetime journey devoted to the art of Indian classical music. M18, 128 minutes, opens Dec 3 exclusively at The Projector, 3 stars. As we hear Maai in the voice over: “There’s a reason Indian classical music is considered an eternal quest. Here, I see the influence and gains from the Rolex Mentor and Protégé Arts Initiative programme which allowed Tamhane to collaborate with the Mexican filmmaker and Academy Award winner Alfonso Cuarón. Stories about those who chase mastery of their craft are tricky to get right. Director, screenwriter, editor: Chaitanya Tamhane Chaitanya Tamhane won the newly instituted Amplify Voices Award at the recently concluded Toronto International Film Festival (TIFF) 2020. “The Disciple,” the first Indian film in Venice Film Festival’s competition since 2001, is set across three different time frames. The Disciple echoes its rigor and determination in exploring the struggles of an aspiring young singer, albeit at its own slow and thorough pace. With just two feature films under his belt, Mumbai director and playwright Chaitanya Tamhane has emerged as one of the new stars of Indian art house cinema thanks to a piercing camera that dissects the social and psychological layers of his characters. Privacy Policy | With one eye out to winning competitions, the singer-in-training, Sharad (Modak), easily fits into the narrative mold of movies like Whiplash and A Star Is Born as he studies under a fierce disciplinarian and sacrifices his private life to perfect his art. This vindicates Tamhane’s trust in his audience as much as his conviction in his screenplay. With sparseness, not minimalism, Tamhane remains considerably unhurried in his approach, keeping an amazing pace in conjunction with the music sung—slow, meditative and melancholic—as the rendering of ‘Jhannana bichuwa baje’ in raga jaunpuri in the opening sequence shows. An inertia wraps the persona of the character as the film revolves on this solitude of the artist. Poems in Prose: The Disciple is Wilde's clever poem told from the pool's point of view while Narcissus gazes lovingly at his reflection. “The Disciple” follows Tamhane’s stellar first feature, “Court,” which also looked at the complex role of music in Indian society, in that case through the lens of a corrupt judicial system. His mentoring suffuses every aspect of the production, including Michal Sobocinski’s stylised cinematography, capturing the tranquility of the Khayal; the twilight of solitariness and Naren Chandavarkar’s sound design, which abounds in the whisper of Khayal, compels a collective listening. With his latest offering, Tamhane succeeds in transporting one into another world in just over two-hours, beautifully capturing the erumpent consciousness of Khayal, a genre of Indian classical music. Director of photography: Michal Sobocinski © 2021 The Hollywood Reporter, LLC. Sharad is a disaster. More poignantly, in this film we see Michal adhere to his grandfather’s dictum: cinematography is about “what to eliminate/what you don’t want to show”. This speaks more to Tamhane’s uncompromising attitude, which bears fruits. The music is so tastefully presented that, even if you are not familiar with it, it sucks you in with its atmosphere and carries over the whole movie. Court, poignant commentary on India's judicial system, also won the National Film Award for Best Feature Film in 2015 and was India's official entry for the Best Foreign Film at the 2016 Oscars. Deborah Young We also see Sharad as a young boy, accompanying his father and friends on an overnight train ride to listen to a classical concert by a famous singer held outdoors at dawn. It’s the universal story of a youth who aims for the stars and finds himself with his feet tied to earth — and maybe that’s not a bad thing. The tension foregrounds the lugubrious brooding of Sharad. Sharad Nerulkar is our artist of interest & classical music is his pursuit. AdChoices Sharad Nerulkar has devoted his life to becoming an Indian classical music vocalist, diligently following the traditions and discipline of old masters, his guru, and his father. The Disciple review. A very subjective and deeply contemplative portrayal, The Disciple, becomes a heightened contrast to Tamhane’s debut feature Court (2014) which dealt with the Indian legal system with an objective orientation. Saint Peter - Wikipedia. In return he receives strict instruction and harsh criticism, but also a legacy of teaching from a legendary female vocalist named Maai, who taught his guru. The master sings a long riff of glissando notes, then invites his students to repeat them. His first film, Court, was an award-winning look at the deadly bureaucracy behind India’s justice system, worthy of a nod from Frederick Wiseman. Aditya Modak, a trained Hindustani classical singer, captures the essence of the character Sharad Nerulakar, the disciple, a tremulous soul caught in the bind of modernity and tradition. Chaitanya Tamhane recently returned to India with a win from Venice for his 2020 feature film, The Disciple, which premiered at the prestigious Italian film festival. It's a sad story for the most part but that's what makes it realistic and adding classical music just made the experience to another level. Venue: Venice Film Festival (Competition) Unexpectedly, and honestly, he takes the homemade route to sexual relief. 'The Disciple' is a movie about a journey of an artist and how it pans out over the years. Mumbai, stripped-off its masses, laid bare, is a devious one which closes on the protagonist. The Disciple. Also Read: ‘The Theme I Explore And The Truth I Strive For Are Personal’: Filmmaker Chaitanya Tamhane. And music is at its very soul. The Devil's Disciple is a 1959 film adaptation of the George Bernard Shaw play of the same title. Just how difficult his studies are is brought home in a graceful scene at a concert in a private home, with the family and their guests sitting on the living room floor, listening raptly. TWITTER Directed by Chaitanya Tamhane. Chaitanya Tamhane’s The Disciple becomes first Indian film since 1996 to play in main slate of the New York Film Festival Sep 29, 2020 - 4:17 pm IST These distinct phases are subtle, be it the concert banner or the protagonist’s routine of flipping channels where he lands on the primetime television news show discussing Lynchistan. The Disciple is by no means a work that has a look of disapproval of modernity but suggesting to be the vanguard of the millennials coping with their problems in finding a firm footing in a world changed beyond recognition. The price of such dedication, on the personal level, is high. Movie Rating: (Executive produced by Alfonso Cuaron, Chaitanya Tamhane’s film is a quiet and poignant character study that speaks volumes) Review by John Li THE DISCIPLE (2020) - MovieXclusive.com FAQ Cast: Aditya Modak, Arun Dravid, Sumitra Bhave, Kiran Yadnyopavit Music: Aneesh Pradhan Download The Disciple (2020) – Bollywood Movie. 8:00 AM PDT 9/4/2020 There are two other defining characters— the city and silence. Her character is present through a voiceover acted by veteran Sumitra Bhave. This comedy event that tells the story of the dreadful year that was – and perhaps still is? But as years go by, he starts to wonder whether it’s really possible to achieve the excellence he’s striving for. New Delhi, Sep 5 (PTI) Filmmaker Chaitanya Tamhane has charmed the critics with his second feature film "The Disciple", which had its world premier at the 2020 Venice Film Festival. Sharad puts off visiting his mother. There are two axes to this narrative: one, the character is shown through three stages—as a child, a young adult and a married man with a child; and, two, the relationship between the character and his guru, the guru’s teacher, and the city. This movie is beautifully directed with on the spot set pieces and full of Indian classical music. It is this quest for identity, stability and meaning which gets poignantly woven through Maai’s speech in a voiceover, intending to be a moral suasion but also a statement on the Hindustani Sangeet Padhati. Soon after this, Sharad is introduced to a famous music critic, who arrogantly shoots down his master and even casts vulgar aspersions on Maai. Meanwhile, Sharad also sells the rare CDs of obscure Hindustani musicians. His father, who was his first voice teacher, failed to reach the heights as a singer, and it comes as a shock to hear someone opine that his knowledge of music surpassed his abilities. Filmmakers Chaitanya Tamhane and Alfonso Cuaron. The Disciple marks Tamhane’s return to Venice after he won the Best Film - Orizzonti and Lion of the Future award for Court in 2014. The Anglo-American film was directed by Guy Hamilton who replaced Alexander Mackendrick and starred Burt Lancaster, Kirk Douglas, and Laurence Olivier. As a producer, Gomber said he would worry about the cost of the South Mumbai apartment that became the set for Gera's story, which revolves around the tender romance between a young widow Ratna (Shome) who has been hired as the domestic help of a wealthy architect, Ashwin. Chaitanya Tamhane’s 'The Disciple' won the prestigious FIPRESCI award at the 2020 Venice Film Festival. All rights reserved. The Maai character reminded me of the exposition of Kishori Amonkar on the very essence of a note in music as she spoke to Amol Palekar in Bhinna Shajda (2011). The scenario won the best screenplay award at the Venice Film Festival. The ending, clever and ambiguous at the same time, comes out of the blue and leaves the audience thinking. Terms of Use | Increasingly, he finds himself on a lonesome path and desolate streets. It was published as a collection of six prose poems in 1894 in The Fortnightly Review. Tamhane, as the editor, manages time to age his protagonist through cinematic devices — from his childhood, as a young adult in 2006 and then in contemporary times. Set in the insular middle-class Marathi cultural milieu of Mumbai, the film unfolds with the story of a young musician Sharad, the disciple who has been initiated into the rites of Hindustani classical music complete with reverence and idealism. Costume designer: Sachin Lovalekar Production designers: Pooja Talreja, Ravin D. Karde In the role of the dignified, ailing master, Dravid plays without a false step and conveys his absolute confidence in the divine power of traditional music. 'The Disciple' Explores the Silences and Conflicts of a Young Classical Musician, ‘The Theme I Explore And The Truth I Strive For Are Personal’: Filmmaker Chaitanya Tamhane. For a young filmmaker in search of a film language, Tamhane has shown an affinity for long-takes, pacing and close-ups. Maai, a sage-like character known by the name Sindhubai Jadhav, has no image or records in public. Film is his melancholic story of stagnant life as opposed to — rapidly growing Mumbai city in backdrop. The two other winners are Michelle Latimer’s documentary Inconvenient Indian and Philippe Lacôte’s Night of the Kings. And to embark on that quest, you will have to surrender and sacrifice.”. THE HOLLYWOOD REPORTER is a registered trademark of The Hollywood Reporter, LLC. The Disciple is an ode to music and a salute to Mumbai. Captivatingly told, The Disciple evokes memories of Shyam Benegal’s Unusual Concerts about Malikarjun Mansur. Will the boy’s dedication survive these attacks on his beliefs, and his growing interaction with the world? The tension within the protagonist continues to be built till a staid Sharad has an encounter with a music critic who rips off the almost-sacred image built around Guruji and Maai. To address the issue of diversity, the Amplify Voices Awards are presented to the three best festival feature films by underrepresented filmmakers from the Official Selection. He’s 24 years old but getting married and having a family are out of the question; tradition says that until the age of 40, the student must simply practice and put such worldly matters aside. "The Disciple" is no exotic novelty, but a bona fide classic whose structure, dialogue and photography never miss a beat -- an apt metaphor as the main subject is the world of Indian classical music. Sharad's character was often seen observing isolation. Each winner received a cash prize of $10,000, made possible by Canada Goose. But caveats aside, the film has its own fascination that rises above the type of music being played and sung. In a galvanising act, Sharad exits the stage abruptly, abandoning his performance. Sitemap | Featuring two real, top-notch classical vocalists, Arun Dravid and young Aditya Modak as, respectively, the master and his disciple, the movie resounds with complex, pulsating music sung from the heart and meant to put its audience in a serene, highly meditative mood. With Aditya Modak, Arun Dravid, Sumitra Bhave, Deepika Bhide Bhagwat. Chaitanya Tamhane’s film is a beautiful exploration of the intersection between the spiritual and physical worlds. One can notice the subconscious traces of these legendary filmmakers in the elfin beauty of Sobocinski ’s work that captures the pervasive desolateness of the city and the protagonist, best seen in the sepia portraiture of Sharad driving his motorcycle on the empty street of his promised path; a recurring sequence in the film. 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